When trumpeter Christian Scott was growing up in New Orleans in the late ‘80s and early ‘90s, his grandfather gave him and his brother Kiel extra reading assignments each week as a supplement to their assigned schoolwork. If the young students failed to finish their books within the week, their grandfather would say, “Yesterday you said tomorrow…” It was the older man’s way of emphasizing the importance of recognizing the work at hand, and making the most of the available time to complete it.

In the end, the two brothers graduated at the top of their high school class at the New Orleans Center for the Creative Arts. Armed with a full scholarship, Christian headed north to Berklee College of Music, where he earned two degrees in two years and eventually launched a music career that has positioned him as one of the great innovators of his generation. But along the way, Scott has learned that there’s still much work to be done – not just within the jazz idiom, but also in the larger world in which jazz exists. Yesterday You Said Tomorrow, his March 30, 2010, release on Concord Jazz, reflects the legacy of some of his musical heroes of the ‘60s, and at the same time wields the music as a tool to address some of the very important issues of contemporary culture.

“I’ve never worked on an album as hard as I’ve worked on this one,” says Scott, who did the session work in April 2009 at Van Gelder Recording Studios in Englewood Cliffs, New Jersey. Scott co-produced with Chris Dunn, and veteran jazz engineer Rudy Van Gelder engineered the album. “I wanted to create a musical backdrop that referenced everything I liked about the music from the ‘60s – Miles Davis’ second quintet, Coltrane’s quartet, Mingus’ band – coupled with music made by people like Bob Dylan and Jimi Hendrix. The music from that era just had more depth, whether it was jazz or rock or folk or whatever. The political and social climate at the time was much heavier, and there were a few musicians who weren’t afraid to reference that climate in their work. The ones who did that – and at the same time captivated people in a way that referenced their own humanity – were the ones who ended up lasting the longest.”

That perspective may sound unusual for someone born in 1983, but Scott has always been acutely aware of the legacy of jazz and its role within the broader context of 20th century history. He learned much of it first hand from his uncle, saxophonist Donald Harrison, an alum of Art Blakey’s Jazz Messengers. “Some people start with bebop, some people start with post-bop, some people start with fusion,” says Scott, who first picked up the trumpet when he was 12. “My uncle took me back to the very beginning of the music. He taught me stuff that Buddy Bolden was playing in the early 1900s.”

Scott was already proficient enough to join his uncle’s band when he was 13, and he played on Harrison’s 2000 recording, Paradise Found, when he was 16 – all of which gave him a considerable head start in relation to his peers in high school and at Berklee. In 2002 he made his solo debut with his self-released and self-titled album, Christian Scott. In 2006, after earning significant attention and landing a record deal with Concord Jazz, Scott released Rewind That, an album whose mixture of modern jazz, rock and R&B garnered both criticism and praise – but ultimately a Grammy nomination. Anthem, released the following year, was in large part a statement about the political and social dynamics that enabled many people to ignore the ravages of Hurricane Katrina. Live at Newport, released at the end of 2008, captures Scott and his four-piece ensemble performing at the JVC Jazz Festival in Rhode Island earlier that year.

Yesterday You Said Tomorrow, like Anthem, takes aim at certain injustices persistent in society. The difference this time is in scope. “With Anthem, you had this microcosmic experience – the hurricane and the resulting devastation to a specific region,” says Scott. “With this album, it’s a more macrocosmic view of all the broader issues and dilemmas that challenge us today.”

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