Jon Faddis: On a High Note
Jon Faddis has had a long and illustrious career. At the tender age of 18, he joined Lionel Hampton’s Orchestra, then was lead trumpet in the Thad Jones/Mel Lewis orchestra. He also had stints with Charles Mingus. Renowned as a trumpeter with masterful command of an unparalleled range on the …
CD Review: Kenny Garrett’s Pushing The World Away
In a career spanning three decades, Kenny Garrett has attained such a renowned status that he is now considered the most innovative and influential alto player of his generation. Garrett, who started his career playing with the Duke Ellington Orchestra and was Miles Davis’s last reedman, has developed a playing …
Savion Glover: The Art Form of Tap and Jazz
Savion Glover honors the art form of tap. This dancer, choreographer, and teacher has had the highest regard for the dancers that have paved the way for him and many other tap dancers. In addition, Glover has had the privilege to work with many great Jazz musicians. Glover’s Broadway debut …
Being Told That We’re “Not Jazz” is The Highest Compliment
I remember hearing Bitches Brew for the first time. I was new to the Jazz scene and it seemed appropriate to first navigate Miles Davis. Up to this point in my travels, I had made stops at Kind of Blue, ‘Around Midnight,’ and Sketches of Spain, but the moment I …
Jose James: The Evolution of Jazz
In the beginning there was jazz. A deviation from the conservative pathway of European musical tropes, jazz was America’s original counterculture. Largely defined by the ingenuity of its artist, it found structure in a lack thereof, improvisation its blueprint. With such an inherent flexibility, jazz engaged many a strange bedfellow, …
Music Historian Ashley Khan: The State of Jazz Today
Ashley Khan is a journalist, music historian, producer, and adjunct professor at New York University’s Tisch School of the Arts. In addition to contributions to the New York Times, Rolling Stone, Down Beat, Jazz Times, and Mojo, Khan has authored Kind of Blue: The Making of the Miles Davis Masterpiece …
Wallace Roney: Learning from the Masters
Wallace Roney is a Philadelphia born trumpeter who is an in demand player who has had lots of ups and downs in his career. Although showing promise early on, his professional career didn’t really take off until he was almost 30-years old. Miles Davis has always been Wallace Roney’s most …
Randy Brecker: Bebop is at the Root of Everything
Jazz was the first music Randy Brecker heard in his home, and says “bebop is at the root of everything.” While growing up in Philadelphia, he was exposed to a plethora of musical styles. Brecker relocated to New York in 1966, during what he calls “an exciting time!” He was …
Hear Great Advice from Musicians for Musicians
Hear Roy Hargrove, Terence Blanchard, Poncho Sanchez, Wallace Roney, Gregory Porter and Kenny Barron talk about what it takes to make in the music business.
Gary Bartz: Talks About Drug Use Among Jazz Greats
Grammy Award winning jazz saxophonist Gary Bartz first came to New York In 1958 to attend the Julliard Conservatory of Music. Just 17 years old, Gary couldn’t wait to come to the city to play and learn. “It was a very good time for the music in New York, at …
Maxine Gordon: The Life of Dexter Gordon
Dexter Gordon was one of the most definitive voices of the bebop movement. Ranging from John Coltrane to Jackie McLean, Gordon sketched the stylistic framework for countless artists. As it often goes with jazz, he himself was a by-product of his musical predecessors—more specifically, Lester Young. Resulting from that exposure, …
iRock Jazz LIVE! with Trumpeter Etienne Charles
ETIENNE CHARLES: Recording Artist, Composer, Arranger, Assistant Professor of Jazz Studies, Michigan State University Over its century-plus history, jazz has forged its shape-shifting identity by encompassing a rainbow of musical dialects in an improvisation-infused setting. While jazz’s potency launched into popular appeal based on the integration of the European classical …